Restoring Classical Music in the New Millennium – Part 3

Recap of Parts 1 & 2:

PART 1: The first installment of the “Restoring Classical Music in the New Millennium” series placed the spotlight on a couple of young and talented classical musicians.  At the same time, it helped demonstrate the charitable nature that is characteristic of the Millennial generation as a whole.  Illustrating young talent and their attention to benefiting the greater good, I shared the stories of two amazing Millennial classical musicians: Jourdan Urbach, a 21 year-old violinist and philanthropist, and Nicola Benedetti, a lovely 25-year-old violinist with a passion for music education.

PART 2: The second installment highlighted Nadia Sirota, a 30 year-old violia player with a flair of hip hop, and Gustavo Dudamel, the 32-year-old “Dude” of the LA Phil, brandishing his conductor’s baton. Together they symbolize the fire, spirit, and ingenuity of the Millennial generation.  Although they come from very different backgrounds, they align on the international stage as performing artists trying to make a positive difference in the world through the amazing power of music.
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As for PART 3 of this series, we explore the backgrounds and accomplishments of an extraordinarily hip pianist and a tremendous violinist with a rather quirky sense of humor. Let’s begin our third round with pop icon and internationally acclaimed concert pianist, Lang Lang.lang-lang-2
LANG LANG
Lang Lang exemplifies the hope, wonder, and excitement of achieving the American Dream. Since a young age, Lang Lang has impacted others through his piano performance. Now, at the age of 31, Lang Lang has become a globally recognized classical music ambassador and icon for the next generation of concertgoers and performers with his own new-age flair.

A Piano Prodigy
Lang Lang’s journey began in Shenyang, China, his hometown.[1] He began studying the piano at the age of three, played his first public performance at the age of five, and has since progressed with only extraordinary outcomes.[2] From conservatories to competitions and piano performances, Lang Lang has made a name for himself in the new world of classical music.Lang_Time

He joined the Beijing’s Central Music Conservatory at the age of nine, and by the time he was 13, Lang Lang had become an international sensation.[3] After winning the renowned Tchaikovsky International Young Musicians’ Competition,[4] he set off for America to study at one of the world’s greatest classical music conservatories – the Curtis Institute of Music.[5] Like something out of a movie, Lang Lang performed a Tchaikovksy concerto in place of world-famous pianist, André Watts, with the Chicago Symphony Orchestra.[6] Thus, at the ripe old age of 17, Lang Lang the classical music superstar was born.

The Hottest Artist in Classical Music
The New York Times has proclaimed Lang Lang to be one of the “hottest stars in classical music.”[7] Not only is Lang Lang young and extremely talented, he also has a fashion-forward sense of style and seemingly endless amount of energy that, in my opinion, has helped to rejuvenate classical music performance and Millennial interest in this important art-form.Lang_adidas

Classical music meets pop-culture with Lang Lang at the keyboard. In 2009, he released his limited edition black and gold, piano theme Adidas Gazelles. From major sporting events and open-air concerts, to Hollywood films, dub-step and social media inspired collaborations, and the Lang Lang International Music Foundation, Lang Lang is engaging listeners and performers in new ways. He actively expands the musical horizons of those young and old and has proven himself to be a new-age master of classical music performance and an inspiration to the next generation of musical artists. (Stay tuned for Hilary Hanh, soon to follow in Part 3!)lang-lang-spotlight

LANG LANG
Age: 31

Nationality: Chinese
Instrument: Piano

Claim to Fame: Piano prodigy and internationally recognized classical musician; Lang Lang International Music Foundation

Facebook: 113,789 likes – Lang Lang Piano
Twitter: 44,193 Followers – @lang_lang
Website:
www.langlang.com; www.langlang.com/adidas


[1] http://www.langlang.com/biography
[2] ibid.
[3] ibid.
[4] ibid.
[5] http://www.curtis.edu/about-curtis/history/timeline/
[6] http://www.langlang.com/biography
[7] http://www.nytimes.com/2007/04/04/arts/music/04clas.html

Full Series: Restoring Classical Music in the New Millenium – Millennial Magazine

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Top 6 Orchestra Flashmobs — Acts of Robust Hit-and-Run Culture in Public Spaces (reblog)

Based on original post by Chase Jarvis on January 8, 2013

There’s one thing about classical music that I’ve always believed: it is far better to see it performed than to hear a recording of it. While this is true for just about all kinds of music, the multi-layered nature of classical compositions (especially pieces that call for large orchestras) make in-person performances even more appealing.

And when those performances occur in public spaces, the experience is all the more radical. Breaking out of the confines of concert halls with perfect acoustics and controlled environments and moving into the chaos that is a flashmob — here are six of my favorite classical hit-and-run performances from all over the world.

Ode to Joy in Catalonia
One hundred people from the Vallès Symphony Orchestra, the Lieder, Amics de l’Òpera and Coral Belles Arts choirs came together in a square in Catalonia, Spain, to perform Beethoven’s Ode to Joy. It was beautifully filmed and as far as flashmobs go, this performance ranks up there with the best of them.

Peer Gynt on a Metro
The Copenhagen Philharmonic surprised metro passengers with a performance of Edvard Grieg’s Peer Gynt in a fairly crowded compartment. The looks of sheer pleasure on many of the passengers’ faces are just as entrancing as the music.

The CPHPHIL strikes again
The Copenhagen Philharmonic apparently likes this sort of “art in the public sphere” thing. Here they are again, with a performance of Ravel’s Bolero.

Tchaikovsky and Vivaldi in Indy
Lest you think all good things only happen in Europe, we present a string company from the Indianapolis Symphony Orchestra, rendering a masterful performance of pieces from Tchaikovsky and Vivaldi in the Keystone Fashion Mall in Indianapolis. Classical music in the Midwest? For. The. Win.

The Canadians Handel Business Too
North of the border, our Canadian cousins got a nice surprise when a bunch of vocalists popped up in a mall food court and belted out Handel’s Hallelujah chorus.

… and back to Europe
Those Europeans may not have all the classical flashmobs, but they seem to have some of the best. This list comes to a close in Vienna, Austria, where Solistinnen, Chor und Orchester der Volksoper Wien renders an absolutely stunning performance at the Westbahnhof Wien. Carl Orff’s Carmina Burana has been performed many times before, but I doubt those performances had dancers who went undercover as janitors or rail officials.

Do you have a favorite performance you’d like to share? Sound off in the comments below!

Sugar Plum Fairy – A Symphony of Glass

 Enjoy the glass duo‘s musical performance of Russian classical composer Pyotr Tchaikovsky‘s Dance of the Sugar Plum Fairy from the Nutcracker Suite.

Merry Christmas!
BSONutcracker